“The one who sings prays twice.”
It’s the question marks beneath that quote that bother me. I don’t like loose ends.
Despite my wishing, however, no one seems to quite be able to pinpoint the source of this bit of spiritual wisdom. The signs I’ve seen in choir directors’ offices usually attribute it to St. Augustine, if it’s attributed at all. Others credit Martin Luther, although I’ve heard some Methodists suggest Charles Wesley best embodied the saying. In the end, however, no one can definitively say which of our spiritual forebears coined the maxim about praying twice when we sing.
I suspect that the general population doesn’t spend a lot of time worrying about the origins of such meme-able quotes. Unfortunately, I am a member of not one but two nerd tribes–academia and clergy–for whom sources matter a great deal. The question of originality thus drives me bonkers.
On the bright side, one of these two tribes offers me a way to quiet my unease at the sing-pray ambiguity. And it’s not the one you might expect.
There is an aspect of the Christian faith that involves giving yourself over to a set of standards that are outside your wishes or expectations. Loving your enemies or giving away your money isn’t the most natural thing in the world, and yet those are clear expectations set forth by Jesus. When you sign up for the Jesus life, you agree to be shaped by the Bible, among other things.
But when you rely on a standard outside yourself in a search for truth, sources become critically important. If you follow an untrustworthy source, you’ll end up in some sketchy neighborhoods.
Church scholarship doesn’t offer any definitive answer as to who first suggested the link between prayer and song, and that’s a problem. There is no shortage of voices who say the exact opposite–that music gets in the way of a faithful life, that it causes us to turn our eyes and ears away from God and onto ourselves. Whom to believe?
Thankfully, my second tribe–academia–comes to the rescue, and in a surprising way.
For all of its neuroticism and occasional arrogance, the academic world strives to be honest. What drives most of the researchers and professors I know is a search for truth in a methodical way. Those who fail to abide by basic intellectual and experimental standards usually get weeded out over time, brought into line by peers who challenge dubious practices or results.
Ironically, those who try to downplay science on religious grounds fail to realize that a similar thing has happened in the development of Christian faith. Much of what we hold to is the result of long-term experiment, the testing of what was passed down to us from Jesus and his followers. What we believe is tried by practice and then kept or discarded, not based on individual tastes but on long-range evaluation.
Kathleen Norris tells us in her brilliant book Dakota: A Spiritual Geography that we go to church to sing, and theology is secondary. This is wisdom borne out by centuries of experiment, of which I am now a part. And the results from all these various laboratories give me confidence that when I sing, it’s more than just belting out a tune. It’s an act of devotion that is both creative and formative.
More to come…